For over two decades I have developed graphic concepts for dozens of print materials, mainly artists’ books and museum catalogues. In my work I explore the tension between the different types of ‘readings’ — visual and textual — in order to challenge common understandings of linear browsing.
I specialize in Hebrew typography along with Arabic and Latin typography. In my work, the graphic (in)translatability of these languages presents itself in a bidirectional browsing. For me, the notion of bidirectional reading became an intrinsic element of the very structure of the book as an object in a multicultural context.
A senior lecturer at the Bezalel Academy of Art and Design in Jerusalem, work regularly with leading museums and art institutions in Israel. I am currently completing an MA in cultural studies at The Hebrew University of Jerusalem
Eastern Appearance / Mother Tongue: A Present that Stirs in the Thickets of its Arab Past : 2005 Babel Publishers A Reader and an Exhibition Catalogue, 413 pp. Editor: Yigal Nizri.
The exhibition took place in the Museum of Art, Ein Harod. Curator: Tal Ben Zvi
Henry Shelesnyak: My Painting Demands : 2005 Museum of Art, Ein Harod Exhibition Catalogue, 272 pp. Curator: Galia Bar Or
Isar‘l au Miroir des Artists : 1999 AFFA, The French Association for Artistic Action Identity proposal for "The Israel Season" festival
Fifty to Forty Eight : 1999 Van Leer Institute, Jerusalem, Theory and Criticism, Alternative Israeli Jubilee album, 562 pp.
Editor: Adi Ophir
Mishkafayim Art Quarterly : 1987-1988 The Israel Museum, Jerusalem, The Ruth Youth Wing for Art Education, Magazine redesign, 82 pp. Editor: Smadar Tirosh
The Museum That Never Was : 1988 Studio Art Magazine Special Issue A guest designer, 82 pp. Editor: Ariella Azoulay